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Standards in the warez scene are defined by groups of people who have been involved in its activities for several years and have established connections to large groups.[1][2] These people form a committee, which creates drafts for approval of the large groups.[ruleset 1][3] Outside the warez scene, often referred to as p. In warez distribution, all releases must follow these predefined standards to become accepted material.[4] The standards committee usually cycles several drafts and finally decides which is best suited for the purpose, and then releases the draft for approval. Once the draft has been e- signed by several bigger groups, it becomes ratified and accepted as the current standard. There are separate standards for each category of releases. All groups are expected to know and follow the standards.[5]What is defined[edit]There are rules of naming and organizing files, rules that dictate how a file must be packaged and an nfo file, that contains required information, must be added with the content.[5]The first part of a standards document usually defines the format properties for the material, like codec, bitrate, resolution, file type and file size. Creators of the standard usually do comprehensive testing to find optimal codecs and settings for sound and video to maximize image quality in the selected file size. When choosing file size, the limiting factor is the size of the media to be used (such as 7. MB for CD- R). The standards are designed such that a certain amount of content will fit on each piece of media, with the best possible quality in terms of size.[6] If more discs are required for sufficient quality, the standard will define the circumstances where it is acceptable to expand to a second or third disc. Newer video standards moved away from the size constraints and replaced them with a quality based alternative such as the use of CRF. New codecs are usually tested annually to check if any offer any conclusive enhancement in quality or compression time. In general, quality is not sacrificed for speed, and the standards will usually opt for the highest quality possible, even if this takes much longer. For example, releases using the Xvid encoder must use the two- pass encoding method, which takes twice as long as a single pass, but achieves much higher quality; similarly, DVD- R releases that must be re- encoded often use 6 or 8 passes to get the best quality. When choosing the file format, platform compatibility is important. Formats are chosen such that they can be used on any major platform with little hassle. Some formats such as Clone. CD can only be used on Windows computers, and these formats are generally not chosen for use in the standards. Packaging[edit]Next, the standard usually talks about how to package the material. Allowed package formats today are limited to RAR and ZIP, of which the latter is used only in 0- day releases. The sizes of the archives within the distributed file vary from the traditional 3½" floppy disk (1. MB) or extra- high density disk (2. MB) to 5 MB, 1. 5 MB (typical for CD images) or 2. MB (typical for CD images of console releases), 5. MB files (typical for DVD images), and 1. MB (for dual- layer DVD images). These measurements are not equivalent to traditional measurement of file size (which is 1. KB to a MB, 1. 02. MB to a GB); in a typical DVD release, each RAR file is exactly 5. In binary prefix that's 5. Formerly, the size of volumes were limited by the RAR file naming scheme, which produced extensions . This allowed for 1. For example, a DVD- R image (4. Gi. B), split into 1. MB. The new RAR naming format, name. MB for historical reasons and because the old RAR naming format is still being widely used. Different compression levels are used for each type of material being distributed. The reason for this is that some material compresses much better than others. Movies and MP3 files are already compressed with near maximum capacity. Repacking them would just create larger files and increase decompression time. Ripped movies are still packaged due to the large file size, but compression is disallowed and the RAR format is used only as a container. Because of this, modern playback software can easily play a release directly from the packaged files,[8] and even stream it as the release is downloaded (if the network is fast enough). MP3 and music video releases are an exception in that they are not packaged into a single archive like almost all other sections. These releases have content that is not further compressible without loss of quality, but also have small enough files that they can be transferred reliably without breaking them up. Since these releases rarely have large numbers of files, leaving them unpackaged is more convenient and allows for easier scripting. For example, scripts can read ID3 information from MP3s and sort releases based on those contents. Rules for naming files and folders are an important part of the standards. Correctly named folders make it easier to maintain clean archives and unique filenames allow dupecheck to work properly. There's a defined character set which can be used in naming of the folders. The selected character set is chosen to minimize problems due to the many platforms a release may encounter during its distribution. Since FTP servers, operating systems or file systems may not allow special characters in file or directory names, only a small set of characters is allowed.[9][ruleset 2] Substitutions are made where special characters would normally be used (e. This can happen automatically by site scripts.[1. As a note, spaces are explicitly disallowed in current standards and are substituted with underscores or full stops.[ruleset 3]The ubiquitous character set includes the upper- and lower- case English alphabet, numerals, and several basic punctuation marks. It is outlined below. ABCDEFGHIJKLMNOPQRSTUVWXYZ. A typical example of the folder name of a movie release would be. Title. Of. The. Movie. YEAR. Source. Codec- GROUPThe Xvid scene does not allow the use of parentheses[ruleset 3] and the BDR scene also doesn't allow the use of an underscore,[ruleset 4] while those are common with music releases.[ruleset 2]Dots aren't used in the required naming scheme for music videos.[ruleset 5]Square brackets aren't defined in any ruleset, however they are used by p. The best known example is a. XXo. Standards documents have often a date defined when the rules take effect. The warez scene typically follows the UTC time standard.[1. There is no formal record documenting correct times for all releases. Depending on geographical location and the timing of releases, release sites receive software releases at slightly different times. Release times in any single source may vary by as much as two weeks.[1. Consequences[edit]If a group violates a standard, the release will be nuked.[3][1. Another group will often proper the release. This proper usually requires a sample or a detailed explanation to prove the flaw in the material, unless the flaw was clear enough for the release to be nuked at releasing time.[ruleset 3] Flaws that aren't immediately visible can be found during testing of the material, such as a broken crack or a bad serial. These sanctions are social in nature and can be initiated by anyone within the community.[1. Video standards[edit]There are several standards to release movies, TV show episodes and other video material to the scene. VCD releases use the less efficient MPEG- 1 format, are low quality, but can be played back on most standalone DVD players. SVCD releases use MPEG- 2 encoding, have half the video resolution of DVDs and can also be played back on most DVD players. DVD- R releases use the same format as retail DVD- Videos, and are therefore larger in size. Finally Div. X, Xvid, H. MPEG- 4 AVC and recently HEVC releases use the much more efficient MPEG standards. Generally, only middle to top- end DVD players can play back Div. X or Xvid files, while Blu- ray players are required to handle H. There are many different formats because the whole thing was always a function of players, codec development and the pursuit of the best possible quality in terms of size. This results in a series of evolutionary stages and improvements that have been introduced gradually. The only film format that hasn't changed since the early days is the DVDR. PS Vita Slim review - PS Vita vs PS Vita Slim, Remote Play and display There's a new Play. Station Vita on sale, known as the PS Vita Slim or the PCH- 2. At first glance it looks simply like a slimmed down version of the original PS Vita; certainly nothing revolutionary. If it had been released six months ago the world probably would have largely shrugged and moved on, as the original device hasn't been a huge success. However, with the barnstorming launch of the PS4, Sony will never get a better chance to revitalise its second attempt at a gaming handheld. If you're looking to buy a PS Vita for Remote Play then also consider the £4. Play. Station TVThe original PS Vita was launched two years ago, and although a few on our team actually went out and bought one, it has struggled to break out of a largely hardcore gaming niche – for example, at the time of writing, the highest rated title on Metacritic was Japanese RPG Persona 4. The hardware is powerful, it has dual analogue control sticks for modern console games and a big, bright, vibrant display, but there are problems too. The new PS Vita Slim has a big task on its slender shoulders, to re- invigorate the handheld gaming market. Firstly, it's expensive: handheld consoles have traditionally appealed to kids but at over £2. Vita was a serious investment, and one with a big, vulnerable- looking display. The original console was also a bit on the heavy side and battery life wasn't excellent either. It's not alone in the market, either. The Nintendo 3. DS is cheaper, easier to tout about, has a protected screen when closed, a longer battery and a bigger range of software, yet even that struggled to reach the lofty heights of the original DS's sales figures. The obvious answer is that both dedicated gaming handhelds are now in competition with i. OS and Android devices. As keen gamers, we still fervently believe in mobile gaming on dedicated devices, with developers creating games that play to the strengths of that device. But is that simply a minority view, and can the new PS Vita Slim help turn around the handheld's fortunes and bring in new gamers, or is this to be Sony's last handheld gaming device? That's the background done, so who's going to be interested in buying a new PS Vita Slim? Well, we'd guess that there are three basic groups: those who own the original, love it, and want to know if they should 'upgrade' to the new version, those who always wanted one but were waiting for a hardware revision, and finally those who have recently bought a PS4 and want a PS Vita to accompany it. PS VITA vs PS VITA SLIMAt present you can walk into a shop and buy both the old and new PS Vita models, with the older model being priced far more competitively as retailers clear their stocks. The new PS Vita Slim has an RRP of £1. Vita launched, but around £1. Vita usually comes bundled with free games and a memory card too. So while stocks last, which Vita is best? The new Vita Slim is certainly more slender than the old 'fat' model. The new Vita Slim is practically identical in size when viewed front on (it's fractionally longer and wider if measured), but pick it up and it's noticeably slimmer and lighter than the original. Not including the protruding sticks and buttons, the new Slim is 1. Some of our staff thought the slimmer design was easier to hold, but more important was its lighter weight of 2. It's not a radical change, but the new Vita sits far more comfortably in a coat pocket than the old one. The controls are essentially the same, which strikes us as a missed opportunity. The controls are essentially identical, which is fine as the PS Vita's controls have always been one of its strong points. The little analogue sticks are surprising accurate and comfortable to use and the d- pad and buttons are all responsive. The front- and- back touchscreen and touchpad provide lots of options for interaction, with the touchscreen tying in nicely with the PS4 controller's touchpad in Remote Play (see below). Our only misgiving is that Sony couldn't find a way to add a second set of shoulder buttons somewhere, as this would seriously improve PS Remote Play and Play. Station Now compatibility in the future, as would have adding click- in buttons to the analogue sticks. PS VITA SLIM DISPLAYBeside being put on a diet, the biggest change on the new Vita Slim is that the original's OLED display has been switched out for an LCD panel. Both displays are the same size and have the same resolution but to look at they are remarkably different. To our eyes there's no competition between them unfortunately, the OLED display produces richer colours and has superior contrast. Now we've been discussing the merits of OLED vs LCD for longer than we can remember now, largely when comparing smartphones. The usual arguments are that OLED's more pleasing contrast and colours are balanced largely by LCDs higher brightness and more accurate colours. On a gaming device, where you're looking at fantasy worlds not photos of friends, the colour accuracy argument isn't as valid. The bolder colours and crisp contrast of the OLED win through, and LCD looks to be a step backward for the PS Vita Slim. The colour reproduction is very different, with the old Vita (top) providing richer tones that we prefer. Again you see the richer colours of the OLED screen (top)We've taken a lot of photos trying to demonstrate the difference between the displays, you can see some of them below, and we assure that the difference is even more stark in real life as it is when viewed on your laptop or tablet's LCD display. It's worth noting that while many OLED smartphones use a Pentile display matrix, with only two rather than three coloured subpixels per quoted pixel, reducing the colour resolution of the display, which helps balance the argument between OLED and LCD displays on smartphones. However, the old PS Vita has three subpixels per pixel quoted and so doesn't suffer from this. The two displays at maximum brightness, the Vita Slim (top) is bright but contrast is better below (look at the time on the black bar .. At normal brightness, contrast is obviously superior on the older Vita (bottom) and the green is more vibrant. Taking a more scientific bent we measured the screen brightness on both devices using a display calibration device. The Slim made a strong start with a peak brightness of 2. Vita's 1. 45cd/m. However at mid- brightness, where both displays look their best (and you'll get a decent battery life) the new Slim slumped to just 8. Vita's 9. 2. 2cd/m. Vita is better if you need to pump up the brightness and play outdoors but the older device is brighter when image quality is at its best. PS VITA SLIM MEMORY AND STORAGENot much has changed when it comes to how you get games for your PS Vita, but it's worth reiterating for those new to the device. One change is that the PS Vita Slim comes with 1. GB of built- in storage, it's not a lot but it does make a difference. The PS Vita uses a combination of game cards and memory cards to store games, save games, software updates and other files such as photos. Retail games are provided on game cards which go in one slot on the PS Vita or PS Vita Slim. To save downloaded games you'll need to invest in a proprietary PS Vita Memory Card. Unfortunately these are still rather expensive, you'll pay around £2. GB card, that's approximately triple the price of an equivalently- sized SD card. The old PS Vita had no built- in storage, but the 1. Gb on the new model at least means you have somewhere to download the initial system updates and somewhere to put your save games. You might even sneak on a small game or two. Don't be fooled by their relative sizes, you could theoretically install Tearaway around 1. If you plan to download most of your games then you'll certainly want a sizeable memory card, unless you want to be deleting one every time you want to switch to another. Indie game fare such as the excellent Guacamelee or Spelunky only take up a few hundred MB each, 3. MB and 1. 16. MB respectively. Tearaway, pictured, takes up 1. GB with most retail games using around 1- 2. GB of space. At the upper end, the likes of Killzone Mercenary and Uncharted: Golden Abyss weigh in around 3. GB. The additional 1. GB of storage on the PS Vita Slim is certainly welcome, but not as welcome as a price cut on memory cards would be. If you want to have access to a wide range of games at any time then you'll need to factor in an extra £2. PS VITA SLIM 3. 3. Convert DRMed WMA Files to Usable MP3s: 4 Steps. Without getting into too much detail (i'll save that for my blog), suffice it to say, I HATE DRM! I have several players, including an HP RX1. Plays. 4Sure, that will not play DRM- ed files. 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Offers 50 GB of free storage space. Uploaded files are encrypted and only the user holds the decryption keys.Libro - Wikipedia, la enciclopedia libre. Un libro (del latínliber, libri) es una obra impresa, manuscrita o pintada en una serie de hojas de papel, pergamino, vitela u otro material, unidas por un lado (es decir, encuadernadas) y protegidas con tapas, también llamadas cubiertas. Un libro puede tratar sobre cualquier tema. Según la definición de la Unesco,[1] un libro debe poseer 2. También se llama "libro" a una obra de gran extensión publicada en varias unidades independientes, llamados "tomos" o "volúmenes". Otras veces se llama también "libro" a cada una de las partes de una obra, aunque físicamente se publiquen todas en un mismo volumen (ejemplo: Libros de la Biblia). Hoy en día, no obstante, esta definición no queda circunscrita al mundo impreso o de los soportes físicos, dada la aparición y auge de los nuevos formatos documentales y especialmente de la World Wide Web. El libro digital o libro electrónico, conocido como e- book, está viendo incrementado su uso en el mundo del libro y en la práctica profesional bibliotecaria y documental. Además, el libro también puede encontrarse en formato audio, en cuyo caso se denomina audiolibro. Desde los orígenes, la humanidad ha tenido que hacer frente a una cuestión fundamental: la forma de preservar y transmitir su cultura, es decir, sus creencias y conocimientos, tanto en el espacio como en el tiempo. El planteamiento de esta cuestión supone: por un lado, determinar la forma de garantizar la integridad intelectual del contenido de la obra y la conservación del soporte en el que fue plasmada, y por otro, encontrar el medio por el cual se mantendrá inalterada la intención o finalidad para la cual se concibió. Los orígenes de la historia del libro se remontan a las primeras manifestaciones pictóricas de nuestros antepasados, la pintura rupestre del hombre del paleolítico. Con un simbolismo, posiblemente cargado de significados mágicos, estas pinturas muestran animales, cacerías y otras escenas cotidianas del entorno natural del hombre antiguo, que trataba de dominar las fuerzas adversas de la naturaleza capturando su esencia mediante su representación. Son el más antiguo precedente de los primeros documentos impresos de que se tiene memoria. Comunicación oral y formas rudimentarias[editar]Las señales gestuales fueron la primera forma de expresar y transmitir mensajes. 743997 de 387240 la 341079 el 307650. 307650. Is and in to a was not you i of it the be he his but for are this that by on at they with which she or from had we will have an what been one if would who has her. La palabra hablada es la manera más antigua de contar historias. Mediante fórmulas de valor mnemotécnico[2] se estructuraban narraciones, que pasaban de generación en generación como valiosa herencia cultural de los más diversos grupos humanos. Dichas reglas mnemotécnicas ayudaban tanto a la memorización como a la difusión de los relatos. Es el caso de los poemas homéricos, que han merecido valiosos estudios sobre el particular. Posiblemente, gran parte de las tradiciones y leyendas han tenido semejante inicio. Esta transmisión oral tenía el inconveniente de los «ruidos» que deformaban el mensaje. La mayoría de las veces era el narrador (rapsoda, aeda, juglar) quien en función de sus intereses la deformaba de una u otra forma. La escritura[editar]Cuando los sistemas de escritura fueron inventados en las antiguas civilizaciones, el hombre utilizó diversos soportes de escritura: tablillas de arcilla, ostracon, placas de hueso o marfil, tablas de madera, papiros, tablillas enceradas, planchas de plomo, pieles curtidas, etc. La escritura fue el resultado de un proceso lento de evolución con diversos pasos: imágenes que reproducían objetos cotidianos (pictografía); representación mediante símbolos (ideografía); y la reproducción de sílabas y letras. Los más antiguos vestigios de escritura se encuentran, hacia finales del IV milenio a. C., en el Antiguo Egipto, con jeroglíficos, y la antigua Mesopotamia, mediante signos cuneiformes (escritura cuneiforme; utilizaban una varilla con sección triangular, que al hendir en placas de arcilla, dejaba una marca en forma de cuña). La usaron los sumerios, acadios, asirios, hititas, persas, babilonios etc. La escritura egipcia, que perduró más de tres milenios, mediante jeroglíficos, representaba ideas abstractas, objetos, palabras, sílabas, letras y números. Evolucionó en las escrituras hierática y demótica. Otros pueblos, como los hititas y los aztecas también tuvieron tipos propios de escritura. La escritura china más antigua que se conoce son 5. C. en el yacimiento de Xiaotun, en la provincia de Henan. Pero los primeros libros reconocibles de China corresponden al siglo VI a. C., los jiance o jiandu, rollos de finas tiras de bambú o madera grabados con tinta indeleble y atados con cordel. Estos textos servían principalmente a causas institucionales , era la obra de funcionarios civiles o militares.[3]Desde Confucio en adelante (5. C.) los libros se convirtieron en importantes instrumentos de aprendizaje, se escribieron tratados de filosofía, medicina, astronomía y cartografía. En el período de los reinos combatientes (4. C.) La seda se usó mucho como soporte para escribir. La tela era ligera, resistente al clima húmedo, absorbía bien la tinta y proporcionaba al texto un fondo blanco, sin embargo era mucho más cara que el bambú, es por esto que en ocasiones se hacía una copia en bambú antes de grabarse en seda los textos importantes. La invención del papel según la tradición china, se atribuye a un eunuco de la corte imperial llamado Cai Lin en el 1. C. Usando nuevos ingredientes (trapos viejos, cáñamo, corteza de árbol y redes de pescar) creó un método de fabricación de papel muy similar al que se usa hoy en día. Pero el papel tardó cientos de años en reemplazar al bambú y la seda, fue hasta finales del siglo II d. C. que la corte imperial lo usó en cantidades importantes. Web oficial de la Universidad de A Coruña. Enlaces a centros, departamentos, servicios, planes de estudios. Mario Fortino Alfonso Moreno Reyes (Ciudad de México, México, 12 de agosto de 1911-Ciudad de México, 20 de abril de 1993) fue un actor y comediante mexicano. Esta innovación no se propagó fuera de China hasta el 6. C. aproximadamente, y alcanzó Europa a través de España hasta el siglo XII. A mediados del siglo VIII los chinos inventaron la impresión xilográfica, o el grabado en madera, y la necesidad de reproducir un gran número de textos e imágenes budistas, calendarios, manuales de adivinación y diccionarios promovió una rápida y temprana propagación de la xilografía. El primer libro impreso chino que se ha encontrado es el Sutra del diamante del 8. C. Los impresores chinos crearon los tipos móviles hacia el siglo XI, el escritor chino Ch'en Kua (1. Mengshi Pitan), según el escritor el herrero Jen. Tsung de la dinastía de los Song del norte entre 1. También se le atribuye la creación de una mesa giratoria para guardar los caracteres, esta técnica se llamaba tipografía tablearia. Hacia el 1. 30. 0 Wang- Tcheng, un técnico agrónomo, emplazó la arcilla por madera de azufaifo, que era mucho más dura. Pero este avance no revolucionó la imprenta hasta el punto que lo hizo Gutenberg en Europa 4. A diferencia de las lenguas europeas, el chino escrito requiere miles de caracteres únicos, lo que hace mucho más eficaz los bloques de madera individuales que los enormes conjuntos de tipos reutilizables. En contraste con el declive de las artes de los escribas en occidente en los siglos que siguieron a la creación de la imprenta de tipos móviles, la caligrafía china conservó su prestigio, era un arte. No obstante, a finales del siglo XV, China había producido más libros que el resto del mundo junto. Los árabes aprendieron la técnica para fabricar papel de sus contactos con China en el siglo VIII, y este se introdujo en Europa en el siglo XII a través de la España musulmana.[3]La obra xilográfica más antigua encontrada hasta nuestros días es el Dharani Sutra de Corea, datado en el 7. C., aunque no se sabe quién fue el inventor de la xilografía los chinos y coreanos fueron los que impulsaron la impresión xilográfica, principalmente para editar textos religiosos. El budismo chino y coreano fue el vehículo que trasmitió la xilografía a Japón. Pero Corea realizó muchos otros avances que revolucionaron la manera de imprimir y en consecuencia el libro. Entre 1. 23. 4 y 1. Gwanghwa, debido a la invasión mongol, no disponían de madera dura fue entonces que imprimieron 2. Go geum sang jeong ye mun con caracteres móviles metálicos. La obra del año 1. Más tarde el rey Taejong puso en funcionamiento un taller que contribuía a la difusión de la escritura y en 1. Jujaso, donde se fabricaban caracteres móviles de imprenta, realizó la primera fundición de tipos móviles en bronce. ELISIART torrent: Download – Easy Rider: Sem Destino – Dublado. Baixar Filme Easy Rider: Sem Destino Grátis. Gênero: Aventura. Ano de Lançamento: 1. Qualidade: DVDRip. Filmes Torrent
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